“What We Mean When We Talk About the Hole in the Bathroom”: Marital Dissolution, Liminal Space, and the Unspeakable in Angela Liu’s Uncanny Fiction – 4.0

Introduction Angela Liu's short story "What We Mean When We Talk About the Hole in the Bathroom," published in Uncanny Magazine Issue Sixty-Nine (2026), is a formally restrained yet emotionally…

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“Permanent Press” by Sunwoo Jeong: Spectral Domesticity, Diasporic Ambivalence, and the Phenomenology of Choice – 4.6

A Critical Academic Review Introduction Sunwoo Jeong's novelette "Permanent Press," published in Uncanny (Issue Sixty-Nine, March/April 2026), arrives as a formally inventive work from a writer already recognized in speculative…

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The Divine Ordinary: Myth, Memory, and the Persistence of the Sacred in Theodora Goss’s “The Woman Who Stole Flowers” – 4.0

Introduction Theodora Goss's short story "The Woman Who Stole Flowers," published in Uncanny Magazine Issue 69 (March/April 2026), arrives as a characteristic expression of her mature literary project: the recuperation…

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Grief, Transformation, and the Maternal Body: A Critical Review of Anjali Sachdeva’s “Chimera” – 4.3

Introduction Anjali Sachdeva's short fiction has consistently demonstrated a preoccupation with the biological, the monstrous, and the tenderly human. Her debut collection All the Names They Used for God (2018)…

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